You Had Me At Cozy!

Who out there has read a cozy? I'm the first to admit, I stay pretty genre-centric with my reading. I started reading cozies a few years ago as a way to escape the tedious amount of research and reading I was doing for my WWII novels. Helena Dixon's Miss Underhay Mysteries, followed by Posie Parker and Carmen Radtke's Murder at the Races. However, these are also historical fiction. I started to wonder, am I a book snob?

According to BookRiot, there is a big fat line between being a book snob and personal preference. (Whew!) I was just being picky. Okay, time to branch out. For me, choosing a book is a little like going to your favorite restaurant. You know what you like. You get it every time. So why chance a good night out by trying something different, something you might not like? However, trying something new, I reminded myself, is also exciting and refreshing.

I started reading contemporary romantic comedies. Shocker, I liked them. Sandy Barker, Nina Kaye, Aimee Brown, Julie Houston, Paige Toon... and Fiona Leitch. Now, Fiona Leitch has a particular skill of luring you in and blazing you with laugh-out loud comedy threaded into nearly every sentence that, at times, leaves you breathless. Yes, breathless. At least that is what I found when reading her self-pubbed murder-mystery mashups The Bella Tyson Murder Mysteries - Dead in Venice (with the tag: There are worse things than writer's block 😁) and Murder Ahoy. When I heard she'd written a cozy series for Harper Collins, I thought... okay, here we go!

I found Fiona's writing effortless. I'd started to flip back the pages and ask, "How'd she do that?" And this was between tears of laugher. The Nosey Parker Murder Mystery Series is no different. Here's the series blurb:

Ex-copper turned caterer Jodie ‘Nosey’ Parker returns home to Penstowan, the small seaside town in Cornwall where she grew up, after almost twenty years in London’s Metropolitan Police Force. With her teenage daughter in tow, and her slightly batty mother still living there, Jodie plans on having a quiet life running her new catering business. But she soon discovers that life in Penstowan is not as quaint (or boring) as she remembers. Missing brides, bodies in the shrubbery, annoying writers pushed off cliffs and movie star madness all conspire to get this not-so-amateur detective back on the case. Helped by her old childhood sweetheart Tony and hunky newcomer, DCI Nathan Withers, not to mention new member of the family Germaine the Pomeranian dog, finding the killer is bound to be a piece of cake. Murder, mayhem and much consuming of pasties will ensue, to prove that when Jodie’s around, murder is always on the menu…

I wanted to know more about Fiona, her writing, and how she comes up with this stuff! SO, I asked her!

 

Hi Fiona! I read and loved your Bella Tyson series, Dead in Venice and Murder Ahoy, how was writing the Nosey Parker cozies different than writing your other books? 

The main difference is that I’m not allowed to swear in the Nosey Parker stories… I’m kind of joking there, but actually it’s true: because I’m writing to contract, I’ve been far more aware of the market and of the audience I want to attract (many of whom don’t like the kind of strong language that Bella makes liberal use of). With the Bella Tyson books, I just kind of write what I want and hope it finds an audience; with Nosey Parker, I’m actively hoping to attract them. The other big difference is in writing for a hopefully long-running series. I’ve made sure that I’ve introduced a lot of secondary characters who are interesting in their own right, who I can use again and again in further adventures. In the Bella Tyson books, it’s mainly just Bella and Will who are recurring characters. I’ve also had to do a bit more world-building, setting them in a location (based on a couple of real towns) which I can use again and again.

Why are you so funny? No, really. I find I laugh my way through Fiona Leitch books, and I often wonder if you are this funny at home. Is your family constantly in stitches? 

My whole family is funny. I grew up in a household where there was a lot of laughter and playfulness. My mum, my sister and I regularly get each other into bouts of full on hysteria, where we’re crying with laughter and it actually hurts, but we can’t stop. My son and I have the same effect on each other. I suppose I AM funny all the time! Although whether my family are laughing with me or AT me is another matter… I used to want to be a stand-up comedian, until I actually got a really big debut gig through the BBC. It was the most terrifying experience of my entire life, and utterly cured me of the desire to ever do it again.

You know that saying, write what you know? You can plead the 5th here (meaning you don’t have to answer), but are your characters loosely or closely based on real people?

There is one character (in Murder Ahoy!) who is based on a real person, although (unbelievably, as she is a total monster in the book) a watered-down version. All my female MCs do have elements of me in them, I have to admit, although I wouldn’t say that I am quite as nosey as Jodie! Also in Murder Ahoy!, one of the other characters is based on a book blogger who I got to know after Dead in Venice came out, as she absolutely loved it and has since become one of my biggest on-line cheerleaders. I named the character after her and based some of it very loosely on her, but I was quite concerned because that character also turns out to be a bit of a monster and I was worried that she would be hugely insulted, but she loved it!

Who is your inspiration for Jodie, our detective MC? And what kind of research did you do to prepare?

Physically, I had the actor Sheridan Smith in my mind when I was writing Jodie, because I’d love her to play her in the TV adaptation (please let there be a TV adaptation!). In terms of her actual character, I used to work in an office with someone who was an ex-copper and she was incredibly nosey; whenever she saw something going down by the water cooler she had to get involved. It had been part of her job as a police officer, and she didn’t seem able to stop. It was actually quite annoying! But I wanted to make Jodie different to a lot of the cozy sleuths out there, in that she isn’t a complete amateur. I wanted it to be as believable as possible, without turning it into a police procedural thriller. In terms of research, I focused more on the locations (places that I know and love), and on the crimes in each book, rather than on Jodie herself. So I now know a lot about wild flowers in the North Cornwall area; Goldsmiths College art alumni (I went there myself, along with but not at the same time as people like Damien Hirst, Anthony Gormley, Damon Albarn and Mary Quant), and about the toxic properties of pufferfish. 

What is your writing process? Are you a sticky-note writer? Please say it isn’t so. I’ll be instantly jealous. Well, are you?

God no! I don’t get the whole sticky note thing. I never used to plan - I started off writing screenplays, and if you need to go back and rewrite things it’s much simpler with a script than with a novel (the word count of a script is probably about 25% of that of a novel). But I’ve found that I do need to outline novels, particularly when I’m writing a mystery; I need to know where the different twists and turns will be, where I’m going to plant the clues and the red herrings, and if I don’t plan it means I’ll probably be looking at a major rewrite. So I have an outline, sometimes quite rough, sometimes more detailed, but I will find as I’m writing that I have other ideas or I’ll deviate from it, it’s not set in stone. I think maybe the sticky note thing is helpful if you struggle with structure - it means you can write scenes and jig them around to fit - but I’m one of those annoying types who can just ‘do’ structure, so it seems like a waste of time to me.

What else are you working on?

I just finished outlining the next 3 books in the Nosey Parker series, so hopefully I’ll be writing them soon! I also have 3 other books outlined, romcoms rather than cozy mysteries, and I’ve got 2 others written that I’m trying to get out there. I’m pretty busy… 

Murder on the Menu is out now, as is the 2nd installment of The Nosey Parker series, A Brush with Death! A Sprinkle of Sabotage will be released next month. Buy here: mybook.to/Brush

Fiona Leitch is a writer with a chequered past. She's written for football and motoring magazines, DJ'ed at illegal raves and is a stalwart of the low budget TV commercial, even appearing as the Australasian face of a cleaning product called 'Sod Off'. After living in London and Cornwall she's finally settled in sunny New Zealand, where she enjoys scaring her cats by trying out dialogue on them. She spends her days dreaming of retiring to a crumbling Venetian palazzo, walking on the windswept beaches of West Auckland, and writing funny, flawed but awesome female characters. Find her on Twitter: @fkleitch

Thank you Fiona for taking time to answer my questions. As you can see, I'm pretty nosey too. So, readers, what genres do you read? Have you ventured out into the unknown and tried something new?  Are you a reformed book snob picky reader? Tell me about it.

Have a lovely day! 

Andie xx

Staying Focussed Or Writing When We Don't Want To

I’m writing this post two days after an angry mob stormed the US Capitol in protest of the certification of Joe Biden as the 46th president of the United States. During this time I was in the middle of a massive structural rewrites. All of the authors reading this post have an understanding of how intense this phase of the editing process is, this taking apart your novel and putting it back together to jibe with editorial suggestions. Of course, total focus is required. For this writer, total focus during a time of confusion, chaos, and fear was extremely difficult. On the day I sat down to get busy with my rewrites, I soon discovered that given the state of the world, I had the attention span of a single-celled amoeba. I needed to find a way to stay grounded and tuned into my work in progress, and I needed it quick! 

I logged off social media, despite being in the midst of promo around the release of the paperback version of The Betrayal. My free time that day should have been spent posting about my book, responding to comments, and thanking the people who posted book news on my behalf. But I was quickly mortified and captivated with imagery of the horrors at the US Capitol. The only thing to do was to to shut down FB, Twitter, and Insta. After I was safely away from SM, I set the timer on my cell phone for fifty minutes. During this time, I only worked on my book. I didn’t look at my phone or emails. When my fifty minutes were up, I’d take a fifteen to twenty minute break, enjoy a cup of tea and maybe do a bit of yoga. Then it was back to it. It would have been so very easy to blow off writing and spend the day glued to the shocking series of events being portrayed on the news. But a deadline is a deadline. And being a pro means sitting down and doing the work even when you don’t want to. The political drama is still unfolding in the US, and I'm still sticking to the 50 minute rule. My takeaway here is that my time is my most valuable asset. Curating how I spend it has been a timely lesson well learned. 

How do you make yourself write when surrounded by distraction? Drop your comment below. 

Happy writing, all. Hope you and your loved ones are keeping well. 

Terry

Help! What shall I write on the blog this week?!

‘Help!’ I said to my son, about three minutes ago. ‘I have to do a blog post for tomorrow, for the Novel Points of View blog. Give me a topic to write about, quick!’ 

 ‘I don’t know,’ he said. ‘What do you writers write about? Covid? Brexit?’ I suppressed a shiver of dread that ran through me as he said those two words. There has been far too much of each in the news lately. I have to confess, I quite enjoyed all the shenanigans in the US during the transfer of power from Trump to Biden. Took my British mind off our own problems for a while. 

 ‘No,’ I told him. ‘Neither of those topics. Definitely not.’ And now I feel you readers heaving a sigh of relief. ‘What else?’ 

‘Write about your favourite sandwich,’ he said, in an effort to get rid of me. He was busy watching an old episode of Star Trek. During these C**** times (I am not typing that word again in this blog, it is not the topic of this post) he has set himself the ‘challenge’ of watching all Star Trek episodes ever made, and there are a lot of them. He’s working his way through the originals from the 60s and 70s right now.

Spock and Kirk, from the original Star Trek

Actually that’s not all he’s been up to. He is 23 and his generation have been badly affected by C****. He has been living with us for almost a year, jobless. He’s taught himself to play the piano, and has also learned to crochet. A friend of his taking a degree in Fine Art is doing something arty for her final year project with donated crochet pieces. She’s filling a room as a comment on how crocheting (and other crafts) have helped her and many others through the lockdowns. Oh no, why does everything I write lead me back to that topic? Anyway, his contribution started as a square and is rapidly turning into a blanket, double-bed sized. (Back when I took my final exams, a crocheted dissertation was not an option. Mine had to be typed.) 

 Thinking about Star Trek. How did they come up with so many episodes? How do any long running series keep going? Last night I watched the latest episode of Death in Paradise. This show, if you have not seen it, is effectively ‘closed room’ murders, taking place on an idyllic Caribbean island. Someone dies in suspicious circumstances; there are only ever three or four suspects, all of whom have a possible motive, but none of whom apparently had the opportunity to do the deed. The police inspector has his own, idiosyncratic ways of solving murders but always there is some little detail that niggles at him and eventually helps him solve the mystery in a flash of inspiration. The show’s been running long enough for them to have had about four different inspectors so far. It’s very formulaic but every episode is definitely different. Kudos to the writers for coming up with so many plots. Wahey, I managed to mention writing at last in a writing blog!

 

Catherine's bar - One of the settings used for Death in Paradise

I’ve never written so much as a sequel, let alone a series. My novels are all standalone. Which means I have to come up with entirely different plots and characters and settings every time. While in some ways that’s harder than sticking to the same setting and main characters, it does mean I am more free to let the book go in any direction I want. Rather like this blog post.

Cheese and pickle, in case you were wondering. My favourite sandwich, that is.

In which we showcase our new releases!

This week on the Novel Points of View blog we are going to showcase the writers in the bunch who have new releases, complete with buy links and blurbs. Looking for something to read? Let’s go shopping. 

Kath McGurl’s latest dual-timeline, The Forgotten Gift. 

What would you do to protect the ones you love?

1861. George’s life changes forever the day he meets Lucy. She’s beautiful and charming, and he sees a future with her that his position as the second son in a wealthy family has never offered him. But when Lucy dies in a suspected poisoning days after rejecting George, he finds himself swept up into a murder investigation. George loved Lucy; he would never have harmed her. So who did?

Now. On the surface Cassie is happy with her life: a secure job, good friends, and a loving family. When a mysterious gift in a long-forgotten will leads her to a dark secret in her family’s history she’s desperate to learn more. But the secrets in Cassie’s family aren’t all hidden in the past, and her research will soon lead her to a revelation much closer to home – and which will turn everything she knows on its head…

Get the book HERE. 

Andie Newton’s USA Today best-seller, The Girl from Vichy 

1942, France.

As the war in Europe rages on, Adèle Ambeh dreams of a France that is free from the clutches of the new regime. The date of her marriage to a ruthless man is drawing closer, and she only has one choice – she must run.

With the help of her mother, Adèle flees to Lyon, seeking refuge at the Sisters of Notre Dame de la Compassion. From the outside this is a simple nunnery, but the sisters are secretly aiding the French Resistance, hiding and supplying the fighters with weapons.

While it is not quite the escape Adèle imagined, she is drawn to the nuns and quickly finds herself part of the resistance. But her new role means she must return to Vichy, and those she left behind, no matter the cost.

Each day is filled with a different danger and as she begins to fall for another man, Adèle's entire world could come crashing down around her.

Adèle must fight for her family, her own destiny, as well as her country.

Get the book HERE 

So excited to showcase Rae Cowie’s award winning short story, Reset to Factory Settings! 

BLURB - The Bath Flash Fiction Award fifth yearly anthology contains micro fictions by writers from all over the world. 136 stories covering many subjects and themes – some focussing on dramas within family relationships, some politically themed or about war, others spanning whole life times and longer. All in 300 words and under – the real, the surreal and the experimental. So much inventiveness and so much to read and enjoy, including The Promise of Snow by Rae Cowie.

Restore to Factory Settings is available from the Bath Flash Fiction Award Website, or major online book retailers…

And, finally, here’s my latest release, The Betrayal, which is my foray into contemporary suspense. 

From the USA Today bestselling author comes a gripping thriller about a divorce attorney who’s about to discover her own marriage is based on lies when she’s arrested for murder.

Attorney Olivia Sinclair is shocked when she receives an anonymous video showing her husband Richard sleeping with someone else. After years of handling other people’s divorces, she thought she could recognise a marriage in trouble.

She angrily throws Richard out of the home they share. But days later she’s arrested—for the murder of his mistress.

Olivia knows she’s innocent but, with all the evidence pointing at her and an obvious motive, she must find the real killer to clear her name.

She may be used to dealing with messy divorces, but this one will be her most difficult case yet. Olivia’s husband has already betrayed her—but would he set her up for murder?

Get the book HERE 

 

WHAT BRIDGERTON TAUGHT ME ABOUT WRITING

Hello!

Now more than ever, stories are a brilliant way to escape and relax. So over the past few weeks I have joined millions of viewers across the globe and become a bit obsessed with the Netflix series, Bridgerton. For those not familiar with the Bridgerton sensation, the show is adapted from books written by Julia Quinn, and produced by Shonda Rhimes. It is a beautiful, racy Regency romance that sparkles with wit and practically dances along. So I thought it might be fun to look at what makes Bridgerton so special, and what I can learn/use in my own writing.

First off, I must admit that I have yet to read the Bridgerton books, so all my observations have come from the Netflix series...

Daphne and the Duke of Hastings

CHARACTERS

It is 1813 and Daphne Bridgerton is presented to society in search of a suitable husband. Woman had little power during the Regency era but Daphne, and her mother, play the game brilliantly, refusing to stick to suffocating rules. Daphne is one of eight siblings (the eldest daughter), all attractive, all flawed, characters who are easy to root for - and that has to be down to great writing.

But if the Bridgertons are interesting, then their neighbours, Mrs Featherington and her clutch of eligible daughters, add humour. Think overblown dresses in garish colours that are a touch too much. Whilst the mysterious Lady Whistledown, voiced by Julie Andrews, produces a regular society circular, revealing scandals and encouraging gossip.

The wonderful Featherington Sisters

Lastly, I must mention the Duke of Hastings, the smouldering hot hero who is rather easy on the eye. (The Duke of Hastings spoon has a following of over 16k on Instagram, which says everything you need to know!)

Ahem... the scene that's caused such a stir...

In short, there is someone for everyone to engage with, and lots going on to keep the viewer hooked.

PLOT

I don't wish to create spoilers for anyone still to read/view, but just when the viewer thinks things may turn out well, someone new joins the cast, throwing life into disarray - keeping the audience on their toes. Each episode pulses with tension (and heaving bosoms).

For the most part, viewers know as much as the characters, and we must follow their journey to discover what will transpire. However, some of the humour comes when the audience knows more than the characters - for example, when the youngest Featherington daughter, Penelope, wonders how an unwed woman can possibly be pregnant?

As a writer, I should consider how much a reader needs to know and when.

Penelope Featherington and Eloise Bridgerton discuss 
an unexpected pregnancy...

SETTING

The set of Bridgerton is lavish with extravagant balls hosted in stately homes, beneath glittering chandeliers. The costumes are fairy-tale stunning (look out for the Queen's outrageous wigs) and make the whole spectacle a delight. A reported 7500 costume pieces were made for the first series. Then there are the horses, the carriages, the afternoon teas... Who wouldn't wish to be swept away to such a fantasy land, if even for a little while?

Of course, not all stories can be set against an upper-class Regency backdrop, but it is important that whichever setting a writer choses that the landscape/surroundings are vivid, easy for a reader to imagine.

Queen Charlotte in a fabulous wig...

THEMES

If we analyse Bridgerton through a feminist lense then there is no doubt that the main theme is out-dated - women scrambling to bag themselves a decent future via a wealthy husband. However, Daphne is smart, wielding what little power she has in clever ways, and it's her battle against the system that is so appealing.

A reminder that the greater the conflict (which is both external and internal in Daphne's case) the more the viewer (and reader) will want their girl to win through.

ORIGINALITY

There has been much comment upon the fact that rather than using classical pieces, string quartets have adapted pop anthems by the likes of Billie Eilish, Ariana Grande and Shawn Mendes as the Bridgerton soundtrack. Additionally, the screen casting is diverse, which is refreshing in a Regency drama.

The Bridgerton soundtrack is available on Spotify...

But how does this apply to my own writing? I don't write Regency Romance - although I wish I did! Surely the lesson here is to respect the tropes of a given genre, but not to be afraid to make it original. To add a new twist. To have fun.

I hope you have found this short study of Bridgerton thought-provoking. Whatever I write next, I hope it is a tiny bit more Bridgerton. And if you have yet to watch the series, then you are in for a treat.

Enjoy!

Rae x

Books to read before you die

Every year I am asked the same question from close relatives and friends... "What do you want for Christmas?". I don't know about you, but I find this a tricky question to answer when the gift giver has a price limit a) because the things that spring to mind don't usually fit into a £25 or less bracket (ie a holiday to an exotic island) b) I am at that age when I don't want anything very much, c) what I do want I am rather picky about.

Does that make me sound awful or have I just said what most people feel when asked what they would like?

This year I looked to the internet in the hope it would remind me about a gift I thought I wanted earlier in the year but had since forgotten. "Books to read before I die" popped up and, after a little researching, I was confident that I would have an answer for my gift giver... ie a list of books she could choose from.

I soon discovered there are a lot of websites recommending books that I should urgently read before I kick the bucket. Reading all the lists, I suddenly felt as if I had missed out on something big and I was at risk of being shooed away from the pearly gates in heaven because I had not read a particular book!

However recommendations from others can be fraught with problems and you have to ask yourself, Does this list maker have an agenda? For example, would a publisher recommend books from their competitors or stick with their own book releases? I suspect the latter. Suddenly the list does not seem so comprehensive and unbiased as it could be.

Another problem I've discovered is that the books that settle near the top of a list can have a particular political leaning which matches the political views of the list maker. Is this okay? I guess it is only natural for this to happen. I guess the most important thing is for the reader to be aware of this and make their choice accordingly.

I also began to wonder if the type of books recommended has more to do with matching the list maker's reading preferences than giving solid recommendations that will educate and widen the readers experience. Some lists were... how shall I phrase it... too intellectual for me. Surely a list should have a bit of a mixture in it such as romance, crime, fantasy, children's books, classic and modern? One particular list was so hard going that I felt exhausted (and rather depressed) from just reading the blurbs! I came to the conclusion that this particular list maker was not the sort of person I would want to be stuck in a corner with at a party. Either that or he hadn't really read the books himself.

I quite liked this LIST from the Business Insider. It was compiled in 2015, so it is not up to date, but I think it still stands the test of time. It has a good mix of genres, books for all ages, a mixture of classic and modern, and political and character observation. It was reassuring to discover that I had already read quite a few! Suddenly I didn't feel such a literary fool!

My final choice came down to the following. Yes I know, they are hardly a bunch of laughs, but I had sound reasons for choosing them:-

A Christmas Carol by Charles Dickens
I have seen the television adaptations and wanted to know how close they were to the novella.
First impression... I didn't realise the story is only 93 pages long! It reaches novella size with the inclusion of an editor's introduction and preface. It is amazing how something so small became such a huge success. There is hope for us all!

Great Expectations by Charles Dickens
I chose this for the same reasons as above. So often we come to believe that film adaptations are true adaptations of the novel, but film has their own unique problems and have to adapt the written word to help the story make sense onscreen.

To Kill a Mockingbird by Harper Lee
My current work in progress touches on segregation and racism in the American army during WW2. I was interested to see how another author tackles this subject as the novel is about racism in the 1930s. I have also seen the film and, once again, wondered how close it was to the source.

Catcher in the Rye by J.D.Salinger
I chose this book because it is believed that the killer of John Lennon was obsessed and influenced by it. I know nothing about the contents, but have always been intrigued by what was in it and how it could play such a role in a murder that shocked the world. I didn't want to be influenced by someone else's review so I knew I had to read it myself. Now was the opportunity to do it. When my gift giver heard I had chosen this book, she said 'That's heavy reading for you'. Her reaction made me wonder what I have let myself in for!

So I have some reading to do... all different from my preferred genre (no... they are not my legs in the picture. If I sat like that whilst reading I would probably do an injury to one of my hips!). However, where reading is concerned, I do think it is important to stretch oneself and try something new. I only hope I don't come to regret it!

What book would you recommend a person should read before they die and why? Or perhaps you think there shouldn't be a bucket list for books. What are your thoughts on the subject? I would love to know.

 Victoria

A WRITING JOURNEY BACK THROUGH TIME

I didn't set out to become a novelist, although now with nine published novels under my belt - and five more written, three of which are pending publication - I think I can call myself that without having to stretch the truth too much.

Novel publication came about for me after writing serials for My Weekly. The last - commissioned - serial I wrote elicited this comment from my lovely editor,Jean - 'You do realise don't you, Linda, that this serial is a terrible waste of what could be a very fine novel.' Could it? Well, with a few tweaks and a change of setting, and a few name changes as well, that's what happened. But serial writing, in the first place, only came about after I'd written rather a lot of short stories - stories which seemed to get longer and longer and longer for some publications who pay by the finished product regardless of how many words there are. 2020 was a truly terrible year for almost everyone but it ended on a writing high for me with not one, but two short stories out in December.

And now I'm going to take a step further back. Short stories only happened for me after I'd been writing articles on the Arts for various publications. Not that I knew anything about Art but I have a friend who knows everyting. And not that I ever intended to write said articles in the first place. My (sorta) daughter-in-law (Elisabeth Hadley) is a sculptor and she needed a bit of publicity for a mermaid sculpture she'd been commissioned to make for a private customer in Dartmouth. She knew I liked shooting off the odd rant to newspapers (more later) about this and that so asked if I could write something. So I did. I sent it to Devon Life and because it was such a good story (the statue is sited on a private jetty but just about the first thing sailors see when they enter the Dart from the sea and has become a well-known landmark)they took it, as they did the sixty or so articles I wrote that followed.

So this has taken us back to those 'Angry from Paignton' letters that started it all. It didn't take me long to work out that newspapers and magazines would pay handsomely for some things. I diluted the anger a bit and started sending in short, but to the point, pieces about all sorts of things - gardening, living in a seaside holiday town, my son joining the Cubs, riding pillion on my husband's vintage motorcycles.

So, perhaps the urge to write had always been there. I just needed a vehicle, a reason, to write - permission of a sort. Over the years I've found that writing articles and features has taught me to be precise, to cut the waffle, in my novel-writing. And that if there is a short story word limit I keep pretty much to it. Spot on. All the people I've met and written about for said articles and features - where they live, what they do, their stories - have provided some very interesting settings for my fiction. Each has facilitated the other. When fiction writing was in the doldrums I picked up my non-fiction pen again. And when fiction took off for me again, article and feature writing took a back seat for a while. Covid has put me in the novel-writing doldrums. Time, then, for an article or two?