Box Sets Anyone?

 

I love a good book box set! In fact, I love them so much I was given two sets for Christmas! There is something satisfactory about seeing them on a bookshelf - sitting there all neat and organised... hinting at the personality of the owner who owns them.

I think it may stem from when I was younger. The first novels I enjoyed were series, written by the formidable and talented Enid Blyton. A series, written by the same author, provided a reassurance that the book you were spending your pocket money on was going to be of the same standard as before. Of course, it was also the era of the Reader's Digest book sets.

Once again, they were neat, organised and appealing to look at. As a teenager, I was fascinated by their gold embossed lettering and swirls. Unfortunately, I also found them a little daunting and didn't read them. Their hardback covers reminded me of the sort of books found in the libraries of a grand stately home so I assumed they were too educated for the likes of little old me, a farmer's daughter growing up in rural Cornwall. It wasn't until I was a young adult that I came across the set again and took another look. To my surprise I discovered that the books were just normal books and that I had read several of them already, just with another book cover. This experience taught me a lesson... book sets are just as much about being ornamental and projecting an image of the owner, as it is about the books inside the covers.

Now is the era of the box set, which has all the advantages and intrigue of the above but now neatly slid into a carefully designed box. They are so popular that publishers now use box sets in a number of ways in an attempt to get a reader to buy not one but several books in one hit.

So what are the types out there? Lets take a look and the categories I have found.

Standalone novels by the same author.
My Jane Austen box set, published by Wordsworth Editions, is a perfect example of this. Austen's six novels, which were published anonymously in her lifetime, proudly bear her name on each spine and take pride of place on my shelf. Notice that the spine area is just as important, if not more so, than the book covers inside, which is unusual for a book.

Box set include Emma, Mansfield Park, Northanger Abbey,
Persuasion, Pride and Prejudice, and Sense and Sensibility

Series by the same author
The Complete Anne of Green Gables Collection by L. M. Montgomery is published by Arcturus. Over a series of capers and experiences, it tells the 'coming of age' story of Anne during the 1800s. Although written in the early 1900s, we can see that great care has been taken to appeal to today's reader. Bright colours and contemporary illustrations on the box cover and spines are used to appeal to a demographic that may not normally go for historical fiction.

Standalone novels by the same family.

The Complete Brontë Collection, once again published by Wordsworth, is a good example of family box sets where the customer gets three authors (Anne, Charlotte and Emily) for the price of one box set. These types are less common for obvious reasons as not many families can boast so many successful writers. This particular box set is a good example of how publishers can use box sets to sell less popular books. How many of you have read The Professor, Shirley or Villette? If you had a box set you might give them a try.

Agnes Grey, The Tenant of Wildfell Hall, Jane Eyre, The Professor,
Shirley, Villette, and Wuthering Heights

Standalone novels with the same protagonist

Although the Anne of Green Gables collection has the same protagonist throughout, I see it more of a series due to the fact that she grows up through the books. Sherlock Holmes Collection by Arthur Conan Doyle, published by Arcturus, is in a different category again as each story is a stand-alone tale, yet with the same protagonist throughout.

Collections by age

Box sets are perfect for children - and their parents who are desperate to encourage their children to read.  Little Miss: My Complete Collection Box Set is published by Farshore. It includes all 36 Little Miss books. Designed to appeal to toddlers and children aged 2+, careful consideration has been made regarding who the protagonist is and the readership it is likely to attract. You will also note the change in design of the box. Less important is the 'ornament' appeal, now its about keeping the books together so they can be tidied away at the end of the day, hence the lid.

Collections by company

Box sets are about reassuring the reader that the publisher has done the work for the reader by choosing good quality books for them. That reassurance can also come from the company or business that has produced something else but can be linked and add sparkle to the books that inspired them initially or were inspired by them. A good example of this is Disney Storytime Collection, published by Autumn Publishing. The reader knows the stories and the illustrations already, but now have the books to read too!

I am sure I have missed out on other types. I suspect there are box sets by genre rather than author too (ie horror) but this post is long enough already. So next time you are in a book shop or surfing the net, take a look at what box sets are on offer and ask yourself why do they look like they do? Will it look good on the bookshelf in my home? Are there any books you've not heard of before nestled next to the well known ones? Is it the perfect gift for that hard-to-buy second cousin? Happy hunting everyone!

Victoria Cornwall

IGNITING OUR PASSION by Victoria Cornwall

This week has been a busy time for me. At the beginning of the week I took part in the St.Ives Literary Festival and at the end of the week I was in London attending the Romantic Novelists' Association's Summer Party as I (and my debut novel The Thief's Daughter) was a contender for the RNA's Joan Hessayon Award. I enjoyed the events immensely as they both involve my passion for fiction.

Books have always played a major role in my life. My mother read to me as a child until I graduated to being able to read to myself. Like most British children, I learnt to read through the use of the Ladybird's Key Words Reading Scheme which was used by British primary schools throughout the 60s and 70s. Specially designed for children, the 36 small hard-backed, illustrated books used a reduced vocabulary to help children learn to read and, for some, built the foundation of a love for books that would last for the rest of their lives. However, there was one book in particular which turned on a light-bulb in my head and made me aware that reading a book could be quite magical. In other words, it ignited my passion for reading.

Charlotte's Web, by E.B.White was the first book I borrowed from the junior section of my primary school's library, which was quite a memorable occasion in itself. It was also my first novel, again another first. I proudly took it home and devoured every page.  For the first time I felt quite grown-up as I read the story to myself ... no more reading out loud to practice my reading skills for me!

I loved Charlotte's Web. I identified with the setting (I also lived on a farm) and the little heroine called Fern, however this farm was very different to my own. In Charlotte's Web, the animals could speak, had personalities and faced great hurdles. I experienced a range of emotions as I followed Wilbur and Charlotte's story and I still have a vivid memory of holding it in my hand, when I was about to return it to the library shelf, and thinking how amazing a good book could be. It was truly magical and, on that day, my love of books began in earnest.

I asked my fellow contributors on the Novel Points of View blog to share their light-bulb moment and here are the books they shared with me.

Gill Stewart

I’ve chosen Enid Blyton’s ‘Those Dreadful Children’ as my light-bulb book. We had a tattered old hardback edition which I loved and read over and over again. I think what was special about it was that it made me realise that different people saw the same things in different ways. That was a real wow! moment – and a very useful one for a future writer.

In this book, a harum-scarum family move in next door to a prim and proper family. Both sets of children think the others are ‘those dreadful children’. And, as a reader, you can see exactly why they irritate each other so much. But gradually they become friendly and have to work out ways to accommodate each other’s differences. It might be a children’s book, but it probably has a lot to teach adults, too, especially in the current climate!

Linda Mitchelmore

I don’t remember having a light-bulb moment from reading as a child – I used to read so much and my mother took me to the library every Saturday. Woe betide me if I hadn’t read the books I’d selected the week before. Sometimes, I would have to get an extension on the loan and take it out a second time, getting the little card stamped with the date. What I do remember is loving the non-fiction section as much, if not more, than the children’s fiction section which wasn’t very big in those days. There were some books in there where the paper was tissue-paper thin, and crackled when you turned the pages. Leather bound. Of course, as they were in the adult section I couldn’t take them out with my Junior Library card. But I used to linger. I think, on reflection, it was the feel and smell of books that got me hooked. I still use Paignton Library although its moved from its first floor venue in the old Liberal Party headquarters to a swanky new site near the railway station. Cafe on site – what’s not to like!

Rae Cowie

The first books I remember receiving and treating with great reverence were Twinkle annuals, which, to my delight, magically appeared in my stocking on Christmas morning. I adored all their covers, but the one that sticks in my memory showed Twinkle twirling as a ballerina. Long before I could read, I would row up my teddies, who made for a particularly appreciative audience, prop a Twinkle annual in my lap, and compose stories, which vaguely fitted the pictures.

But the two series that really fired my passion for reading, were both written by Enid Blyton – The Secret Seven and The Famous Five. I loved the adventures of The Secret Seven but longed to belong to the Famous Five. Living along the coast of north-east Scotland, our village had both sandy and rocky beaches, a natural stone stairway known as the Giant Steps, a hermit’s cave to explore, a disused railway station, walks in the grounds of an abandoned stately home, woods surrounding a loch and more... If only Julian, Dick, Anne, George and Timmy the dog would visit Cullen – there were so many places for them to discover! Since joining the Famous Five wasn’t an option, I cajoled my best friend to join me on picnics, long cycle rides, hikes to a temple monument which sat atop a local hill – always on the lookout for a Famous Five mystery-style adventure. So perhaps it was no surprise that when I began reading adult fiction, I devoured Agatha Christie's cosy crime. But my heart was still on Kirrin Island, solving mysteries with the Famous Five.

Jennifer Bohnet

Books that gave one the reading bug! I’m afraid I’m going out on a limb here! I can’t remember a time when I didn’t read and neither can I remember the first books I read. The ones I remember are from when I was about ten when the reading bug was already deeply ingrained in me. But I do remember the books that really got my son reading - and also I think influenced him in one of his career choices! It was the ‘Biggles’ series of books by Capt. W.E.Johns. He positively devoured them and the Gimlet stories afterwards. The picture is of half a dozen out of his childhood collection currently sitting in my attic.

Jennifer Young

I used to worry that my favourite ever children’s book was out of print. Maybe it is: you don’t see it in the bookshops any more, which is why I cling so tightly to the tattered old copy (possibly now without its cover) that was mine when I was a child.

The Ghost of Thomas Kempe by Penelope Lively came out in 1973 and I must have read it when it was new. It’s about James, who moves to the country with his parents and finds himself being plagued by (and taking the blame for the actions of) a ghost disturbed during the renovation of the family’s cottage) and for some reason, it caught my attention.

Penelope Lively wrote other children’s books but they weren’t as good. She wrote acclaimed literary fiction for adults, too, and I’m afraid I didn’t think that was as good, either. It’s so long since I read it that I can’t remember what was so wonderful about it; but I do know that it’s clung in the back of my mind for decades and now, when I think of it, I remember the line drawings, the characters, the snippets of descriptions.

It’s as if by disturbing that memory, the book has come back to haunt me — almost, you might say, like the ghost of Thomas Kempe himself.

***

After a wonderful time at the RNA party (where I also had a chance to meet up with fellow Novel Points of View contributor, Gill Stewart), I am now home ... tired, happy and thoughtful. I have come to the conclusion that although life is a journey, the direction it takes is often decided by, what appears, inconsequential events. In the mid 70's, mine took a direction towards a love for fiction. Oddly, it was a fictional spider, called Charlotte, and a pig, called Wilbur, who pointed the way.

By

Victoria Cornwall

Author of The Thief's Daughter